Latest Recordings

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In the press

"if you close your eyes, you wouldn't know you're not listening to a real orchestra. Step back a level and imagine you are listening to a recording of a real orchestra, and it's even harder to tell that it wasn't made in a concert hall with 80 instruments."
+ Electronic Musician

"genuinely impressive ... extraordinary potential"

"Fascinating ... Smith is a bright guy"

"a smooth, fairly realistic sound"

Concert CD

Order a CD of the world's first live concert performance of a Beethoven symphony by a digital orchestra. Featuring Beethoven's Symphony No. 1 in C - Preview: Complete First Movement, Handel's aria 'Ombra mai fu' and two new arias by Tom Myron, sung by Tynan Davis. $12.95 (+ $5.00 s/h)


 

2009 Composition Contest Finalists

Finalists

Mike Barnett
Lucifer Rising, piano

Brian Fennelly
Fantasia Concertante, violin and cello

Elizabeth Lim
From the Clouds, violin


Honorable Mention:

Garrett Byrnes
Concerto for Piano & Chamber Orchestra

Eric Guinivan
Concerto for Percussion and Orchestra

Frederic Glesser
Summer Nights Passing (flute)

Bomi Jang
Firework (piano)

HyeKyung Lee
Piano Concerto No. 1

Robert Lemay
Oiseau de givre (piano)

Paul Lombardi
Piano Concerto

Andrew List
Violin Concerto

Daniel Martinho
MOJO's Concerto (double bass)

Cindy McTee
Solstice for Trombone and Orchestra

Andrián Pertout
An Honourable Silence for Marimba and Orchestra

Neil Rolnick
The iFiddle Concerto

Johanna Selleck
Unspoken Dialogues (flute)

Aleksander Sternfeld-Dunn
Jokers Wild (trumpet, percussion)

Piotr Szewczyk
Violin Concerto

Gregory Yasinitsky
Concertino for Flute and Orchestra

Stephen Yip
Raining in Autumn

Shen Yiwen
Mulan (violin)

What our customers say

"Man, this is absolutely dynamite!

You have done a fantastic job of capturing all of the nuance of the piece – the variety of the percussion, the string divisi, the mutes – all of it is here. I can’t imagine how many hours of work went into this. I just want to congratulate you on your frighteningly accurate representation of the piece."
- David Heuser, Texas

"I was astonished the first time I heard a chamber work of mine performed by The Fauxharmonic. The professionalism was expected (considering the source) but the executional and stylistic nuances came as a wonderful surprise. My very first thought was that the director had to be an individual from an extensive performance background, which proved to be correct. This product/art will go far to support the exploration of modern serious music."
- Michael Staley, Texas

"The [Fauxharmonic] performance has all the musical expression and nuances I could ask for, resulting in a very accurate rendition of my composition. I’m taken by how well all the tone-colors are played (harmonics, phrasings and vibrato, spiccato, glissandi, et cetera), as well as the natural feel of accelerandos and ritenutos. I now have a killer performance of my quartet, that I can’t wait to show to everyone!”
- Emiel Stoepler, The Netherlands

"I'm especially grateful to Paul for his attention to detail: the finer points of dynamics and articulation that give life and authenticity to Fauxharmonic peformances. I have already had one band director express interest in performing my work as a result of our recording. I hope to collaborate with the Fauxharmonic again in the future."
- Larry Shackley, South Carolina

"The Fauxharmonic Orchestra is defining a new paradigm in the meaningful interpretation and presentation of ambitious, large-scale musical works."
- Tom Myron, Massachusetts

 

What We Do

The Fauxharmonic Orchestra produces concerts and recordings of orchestral music at the highest level of aesthetic and technical quality. This "orchestra" consists of the world's finest sample-based instruments, performed in concert halls and recording studios, directed by conductor Paul Henry Smith.

We perform and record for composers and for soloists.

Composers

Hire us to make great recordings of your work, from string quartet to Gurrelieder-sized orchestra.

These days music directors are inundated with poor-quality, MIDI-based renditions of scores that composers want them to perform. But they hate these recordings. (And hate is not exactly the emotion you want them to associate with your work.)

When the Fauxharmonic records your work, other conductors are more likely to decide to perform it on their concerts. Recently, for example, conductor Stephen Gunzenhauser heard our recording of “For the Fallen” by Andrew Lowe-Watson and decided to program it with the Lancaster Symphony.

So, having a musically compelling recording gets you more serious consideration ... not only for performances, but for grant and residency applications as well.

Contact us to find out how we can help you.


Soloists

Hire us to accompany you with the full orchestral palette needed to richly complement and support your musical voice, whether in concert or in recording.

If you've ever heard a vocalist sing an aria with a piano accompaniment, you know what an utterly pale facsimile that can be, compared to a performance accompanied by the right instrumental sounds, ebbing and flowing in response to the soloist's natural musical phrasing.

You see, the Fauxharmonic Orchestra is no frozen "music minus one" track. No, we actually perform in real time with you, adjusting tempo and balance, waiting just until your bow or breath ends to finish a phrase together with you. And if you ever have performed with the right orchestral support, you know how energizing and exhilarating that is for your own performance. It just makes a huge difference ... a difference that will help you stand out in a crowded field of aspiring talent.

So, listen to some of our work, and contact us if you'd like to create a great recording that will help get you the attention you deserve.

 

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