Recording for Film and TV Composers
Composers and filmmakers, don’t let the size of your music budget limit your musical palette of expression. You can have full orchestra and still make a profit by hiring the Fauxharmonic Orchestra to record your film and TV scores. And because we’re the least expensive option, your work is more profitable
As you can see, you’ll not only make more money by using the Fauxharmonic Orchestra, you’ll also free up your time to devote to composing and networking, instead of tearing your hair out trying to produce your own orchestral music.
No matter how you slice it, there is no better solution for recording your orchestral music for film and television.
Working with us is easy
You provide your score material (MIDI, audio, Logic Pro, QuickTime, etc.) … we perform to your precise specifications and provide you with synched audio, wet and dry tracks – ready to be incorporated into your project. If you need changes later, no problem. We simply make the changes and send you new audio files.
Recent Work
Here are some of the film and television scores we’ve produced:
| “The Paper Route” |
Short, Dir: Daniel Abrams
Composer: Paul H. Smith
| “The Bump in the Road” |
Short, Dir: Brett Konner
Composer: Paul H. Smith
| Pervert! |
Feature, Dir: Jonathan Yudis
Composer: Elliott Goldkind
“Where to Eat”
Short, Dir: Michael Serrato
Composer: Elliott Goldkind
| Adidas :90 spot |
Composer: Elliott Goldkind
| Nike “Be the Music” :30 spot |
Composer: Paul H. Smith
Contact
Contact film@fauxharmonic.com for information on getting started.