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	<title>Fauxharmonic Orchestra &#187; Podcasts</title>
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	<description>serving composers and soloists since 2003</description>
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		<itunes:summary>Serving Composers Since 2003</itunes:summary>
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			<title>Fauxharmonic Orchestra</title>
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		<title>Symphony No. 7, op. 92 &#8211; IV Allegro con brio (complete movement)</title>
		<link>http://www.fauxharmonic.com/2008/12/10/building-beethovens-seventh-finale-complete-movement/</link>
		<comments>http://www.fauxharmonic.com/2008/12/10/building-beethovens-seventh-finale-complete-movement/#comments</comments>
		<pubDate>Wed, 10 Dec 2008 21:04:04 +0000</pubDate>
		<dc:creator>Paul Henry Smith</dc:creator>
				<category><![CDATA[Building Beethoven's 7th]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Beethoven]]></category>

		<guid isPermaLink="false">http://www.fauxharmonic.com/?p=156</guid>
		<description><![CDATA[Recorded December 11, 2008, Paul Henry Smith, conducting]]></description>
			<content:encoded><![CDATA[<p>Recorded December 11, 2008, Paul Henry Smith, conducting<br />
</p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
			<enclosure url="http://www.fauxharmonic.com/music/Beethoven_7.4_121808.mp3" length="15494500" type="audio/mpeg"/>
<itunes:duration>8:04</itunes:duration>
		<itunes:subtitle>Recorded December 11, 2008, Paul Henry Smith, conducting

 </itunes:subtitle>
		<itunes:summary>Recorded December 11, 2008, Paul Henry Smith, conducting

</itunes:summary>
		<itunes:keywords>Building,Beethoven's,7th,,Recordings</itunes:keywords>
		<itunes:author>info@fauxharmonic.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
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		<title>Early test of the Wii baton</title>
		<link>http://www.fauxharmonic.com/2007/05/06/building-beethovens-7th-wii-test/</link>
		<comments>http://www.fauxharmonic.com/2007/05/06/building-beethovens-7th-wii-test/#comments</comments>
		<pubDate>Sun, 06 May 2007 05:18:36 +0000</pubDate>
		<dc:creator>Paul Henry Smith</dc:creator>
				<category><![CDATA[Building Beethoven's 7th]]></category>

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		<description><![CDATA[This short video shows my first test using the Nintendo Wii controller, or "Wii-mote," to affect the playback of a short passage.  The motion and position of the controller tells the computer to select from among pre-recorded samples of musicians playing loud or soft.]]></description>
			<content:encoded><![CDATA[<p><br />
<img src='http://www.fauxharmonic.com/wp-content/uploads/wii_conducting_phs_strip.jpg' alt='Testing the Wii-mote' align="left" hspace="4" />This short video shows my first test using the Nintendo Wii controller, or &#8220;Wii-mote,&#8221; to affect the playback of a short passage.  The motion and position of the controller tells the computer to select from among pre-recorded samples of musicians playing loud or soft.  </p>
<p><!--nevermore--><br />
The results are promising, but I can easily see that this approach will have limitations as the music gets more complex.  For example, when first violins need to be emphasized and then second violins immediately following them, how will the controller &#8220;know&#8221; which instrument group to modify?  We&#8217;ll probably have to pair multiple controllers (perhaps Wii-motes) with multiple musicians and computers.</p>]]></content:encoded>
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		<slash:comments>4</slash:comments>
			<enclosure url="http://www.fauxharmonic.com/podcast_media//BB7_Episode_3.mp4" length="25265413" type="audio/mpeg"/>
<itunes:duration>4:09</itunes:duration>
		<itunes:subtitle>This short video shows my first test using the Nintendo Wii controller, or "Wii-mote," to affect the playback of a short passage.  The motion ...</itunes:subtitle>
		<itunes:summary>This short video shows my first test using the Nintendo Wii controller, or "Wii-mote," to affect the playback of a short passage.  The motion and position of the controller tells the computer to select from among pre-recorded samples of musicians playing loud or soft.  


The results are promising, but I can easily see that this approach will have limitations as the music gets more complex.  For example, when first violins need to be emphasized and then second violins immediately following them, how will the controller "know" which instrument group to modify?  We'll probably have to pair multiple controllers (perhaps Wii-motes) with multiple musicians and computers.</itunes:summary>
		<itunes:keywords>Building,Beethoven's,7th</itunes:keywords>
		<itunes:author>info@fauxharmonic.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
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		<item>
		<title>Symphony No. 7, op. 92 &#8211; Allegretto (complete)</title>
		<link>http://www.fauxharmonic.com/2007/04/25/allegretto-complete-performance/</link>
		<comments>http://www.fauxharmonic.com/2007/04/25/allegretto-complete-performance/#comments</comments>
		<pubDate>Wed, 25 Apr 2007 14:28:58 +0000</pubDate>
		<dc:creator>Paul Henry Smith</dc:creator>
				<category><![CDATA[Building Beethoven's 7th]]></category>

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		<description><![CDATA[In this episode you can hear the complete performance of the second movement, Allegretto, of Beethoven's Seventh Symphony.  Performed by the Fauxharmonic Orchestra.]]></description>
			<content:encoded><![CDATA[<p>This episode presents the complete performance of the second movement, Allegretto, of Beethoven&#8217;s Seventh Symphony, Op. 92.  Performed by the Fauxharmonic Orchestra.  </p>
<p><br />
(Optimized for iPod playback: The dynamic range has been reduced.)<br />
<!--nevermore--></p>]]></content:encoded>
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		<slash:comments>1</slash:comments>
			<enclosure url="http://www.fauxharmonic.com/podcast_media//BB7_Episode_2.mp3" length="16998317" type="audio/mpeg"/>
<itunes:duration>7:05</itunes:duration>
		<itunes:subtitle>This episode presents the complete performance of the second movement, Allegretto, of Beethoven's Seventh Symphony, Op. 92.  Performed by the Fauxharmonic Orchestra.  


(Optimized ...</itunes:subtitle>
		<itunes:summary>This episode presents the complete performance of the second movement, Allegretto, of Beethoven's Seventh Symphony, Op. 92.  Performed by the Fauxharmonic Orchestra.  


(Optimized for iPod playback: The dynamic range has been reduced.)
</itunes:summary>
		<itunes:keywords>Building,Beethoven's,7th</itunes:keywords>
		<itunes:author>info@fauxharmonic.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
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		<item>
		<title>Hidden clarinet melody?</title>
		<link>http://www.fauxharmonic.com/2007/04/24/hidden-clarinet/</link>
		<comments>http://www.fauxharmonic.com/2007/04/24/hidden-clarinet/#comments</comments>
		<pubDate>Tue, 24 Apr 2007 16:22:08 +0000</pubDate>
		<dc:creator>Paul Henry Smith</dc:creator>
				<category><![CDATA[Building Beethoven's 7th]]></category>

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		<description><![CDATA[A "hidden" melody in the middle of the second movement of Beethoven's 7th Symphony is uncovered and performed by the Fauxharmonic Orchestra.  The melody has actually only been "hidden" in plain sight, for it is clearly written in the score.]]></description>
			<content:encoded><![CDATA[<p>A &#8220;hidden&#8221; melody in the middle of the second movement of Beethoven&#8217;s 7th Symphony is uncovered and performed by the Fauxharmonic Orchestra.  The melody is actually only &#8220;hidden&#8221; in plain sight, for it is clearly written in the score, though rarely heard in most recordings and concerts.</p>
<p><br />
<!--nevermore--></p>]]></content:encoded>
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		<slash:comments>5</slash:comments>
			<enclosure url="http://www.fauxharmonic.com/podcast_media//BB7_Episode_1.m4a" length="7417709" type="audio/x-m4a"/>
<itunes:duration>7:19</itunes:duration>
		<itunes:subtitle>A "hidden" melody in the middle of the second movement of Beethoven's 7th Symphony is uncovered and performed by the Fauxharmonic Orchestra.  The melody ...</itunes:subtitle>
		<itunes:summary>A "hidden" melody in the middle of the second movement of Beethoven's 7th Symphony is uncovered and performed by the Fauxharmonic Orchestra.  The melody is actually only "hidden" in plain sight, for it is clearly written in the score, though rarely heard in most recordings and concerts.


</itunes:summary>
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		<itunes:author>info@fauxharmonic.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
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