About Brian Fennelly

Brian Fennelly (born 1937) studied at Yale with Mel Powell, Donald Martino, Allen Forte, Gunther Schuller and George Perle (M.Mus 1965, Ph.D. 1968). From 1968 to 1997 he was Professor of Music in the Faculty of Arts and Science at New York University, where he is now Professor Emeritus. In addition to a Guggenheim fellowship, his awards include three fellowships from the National Endowment for the Arts, two commissions from the Koussevitsky Foundation as well as commissions from the Fromm Foundation, Meet the Composer/Reader’s Digest, and the Hudson Valley Philharmonic. In 1997 he received a lifetime achievement award from the American Academy of Arts and Letters. He has been awarded composer residencies at the Rockefeller Foundation Center in Bellagio (Italy), Camargo Foundation in Cassis (France), Bogliasco Foundation (Italy), and Copland House (NY).

His music has been awarded prizes in many competitions, which include the Goffredo Petrassi Competition for Orchestral Music (1993), International Trumpet Guild Competition (First Prize, 1990), the Louisville Orchestra New Music Competition (First Prize, 1986), Shreveport Symphony Competition (1981), and the Premio Citta di Trieste (1981). Twenty-five of his works appear on CD, with orchestral and chamber music released on the New World, CRI, Troy, Pro Viva, First Edition, Capstone, and New Ariel labels. Releases of orchestral music include Fantasy Variations, In Wildness is the Preservation of the World, On Civil Disobedience, Chrysalis, Thoreau Fantasy No. 2, and A Sprig of Andromeda, the last five all Thoreau-inspired works.

Brian Fennelly’s music has been performed by several orchestras including the Rochester Philharmonic, American Composers Orchestra, and The Louisville Orchestra, as well as by chamber ensembles such as the American and Empire Brass Quintets, and the Concord and Audubon String Quartets. His choral music has been sung by the Gregg Smith Singers and the New York Virtuoso Singers, among others. International performances include two at the Warsaw Autumn (Poland) and four at the ISCM World Music Days (Iceland, Israel, Belgium, and Canada), with recordings by The Louisville Orchestra, Polish Chamber Orchestra, Prague Radio Orchestra, Slovak Radio Symphony Orchestra, and the Polish Radio National Symphony, as well as acclaimed chamber ensembles and soloists.

Fennelly’s music is published by Margun Music (Schirmer), MMB Music (St. Louis), Pro Nova (Munich), Ricordi (Milan), Earnestly Music (Sharon, MA) and American Composers Edition (New York), among others. In addition to composing and teaching, he has been active as a pianist and also as an officer and board member in a number of music organizations; he also co-directs the Washington Square Contemporary Music Society, which he founded in 1976.

Fennelly resides in Kingston, New York with his wife Jacqueline, who played French horn with the Hudson Valley Philharmonic for many years. Liam Fennelly, a son from a previous marriage, is a viola da gamba player living and working in Europe.

About the contest judges

Ruth Mendelson, composer

A New York Times Critics’ Pick, composer/instrumentalist/producer/arranger/editor Ruth Mendelson has been writing award-winning scores for film, HBO, A&E, Discovery Channel, Disney, Animal Planet, The Learning Channel, PBS, CBS, and NBC (among others), as well as creating innovative multi-media “surround-scapes” for over 20 years.  She was the first woman in the history of Berklee College of Music (Boston, MA) to teach in the Film Scoring Department, which she enjoys part-time to this day.  An active studio musician, Ruth has been featured playing a number of instruments in a wide variety of genres with artists in LA, New York Boston, Europe and India.  She is also a guest lecturer, music director and author. She has performed at the United Nations, in Geneva, Switzerland, as bassist for the One Human Family Gospel Choir, and is currently collaborating with renowned primatologist  Dr. Jane Goodall on a variety of youth empowerment and environmental projects.  Ruth is founder and president of Eagle Vision Initiatives, a non-profit organization dedicated to serving society through communications and the arts.  Eagle Vision’s premier initiative, the WELL WISHES Project, is now successfully establishing unprecedented  lines of communication and resources between the world’s youth.  Her deepest commitment is to be of service and assist in bringing love, compassion and positive change to society via a wide range of creative projects and programs.

Leo Eguchi, cellist

Cellist Leo Eguchi enjoys a very active and multi-faceted performance schedule – he can be heard as a the cellist of Xanthos, a contemporary music ensemble in residence at Boston University, as a founding member of the (fully collaborative) Kalistos Chamber Orchestra, assistant principal of the conductor-less Camerata New England, principal of the New Bedford Symphony, a member of the Boston Modern Orchestra Project (BMOP), the New Hampshire Music Festival Orchestra and the Portland Symphony, as well as in frequent appearances with the Boston Pops Esplanade, Rhode Island Philharmonic and Boston Lyric Opera Orchestras.

A strong advocate of new music, Mr. Eguchi has premiered dozens of pieces by and worked closely with many notable composers, including William Bolcom, Bright Sheng, George Crumb, Lukas Foss, Joan Tower, Ken Ueno, Yehudi Wyner, Gabriela Lena Frank and Michael Daugherty.  Steve Smith of the The New York Times recently raved about a Xanthos concert featuring Mr. Eguchi, “…in the hands of musicians so copiously skilled and confident, this undeniably challenging music had genuine appeal.”  Aside from Xanthos, Mr. Eguchi performs with contemporary music groups such as Brave New Works, Firebird Ensemble, White Rabbit and ALEA III.  Mr. Eguchi also loves to play recitals and chamber music – he was a founding member of the Lunaire String Quartet and has performed with Chameleon Arts Ensemble and the Walden Chamber Players.  Other recent chamber music and solo highlights include performances with members of the New Hampshire Music Festival, BMOP’s “Club Café” series and participation in the Educational Bridge program – an exchange tour of Russia and collaboration with Moscow Conservatory musicians.  In addition to his classical career, Mr. Eguchi can be heard on stages ranging from intimate klezmer ensembles to stadium rock shows.

A native of Michigan, Mr. Eguchi began his cello studies at the age of twelve with Eva Ell and Louis Potter Jr. (author of The Art of Cello Playing).  He holds Bachelor’s degrees with honors in both Physics and in Cello Performance from the University of Michigan, where he studied cello with Anthony Elliott. Graduate studies then followed at Boston University on the Dean’s Scholarship, where he was a student of George Neikrug and recipient of the String Department Award for Excellence, upon completion of his Master’s degree.

Markand Thakar, conductor

Markand Thakar is music director of the Baltimore Chamber Orchestra and the Duluth Superior Symphony Orchestra. Former assistant conductor of the New York Philharmonic, he has conducted orchestras across the United States and Canada. Other Baltimore Chamber Orchestra recordings for Naxos conducted by Markand Thakar include a disc of concertos by Ignaz Pleyel, and a disc of viola concertos by Carl Stamitz and Franz Anton Hoffmeister. Thakar, a protégé of Sergiu Celibidache, is the author of Counterpoint: Fundamentals of Music-Making (Yale University Press) and Looking for the Harp Quartet: An Investigation into Musical Quality, and is co-director (with Gustav Meier) of the graduate conducting program at the Peabody Conservatory.

“For the Fallen” was selected as one of three finalists from over 160 worldwide entries to the 2007 Adagio Composition Contest.

About the Piece

”For the Fallen” is a tribute to those who have lost ther lives in the war in Iraq.

About the Composer

Andrew Lowe Watson was born in London in 1958. He studied piano and composition at Trinity College of
Music, London and Trinity College Cambridge where his tutors were Hugh Wood, Robin Holloway and Richard Marlow. As a student he won the University Chamber Choir Composition Prize and his setting of Hopkins’ ‘The Windhover’ was heard on the Backs by 3,000 people.

He has written 8 musicals for the Grimm Festival in Germany which have also played in Japan. He collaborated with the author Catherine Storr on an opera of her children’s classic novel ‘Marianne Dreams’, performed in London in 2004 and wrote commissions for the 200th anniversary of the Battle of Trafalgar in 2005.

“Reveries” was selected as one of three finalists from over 160 worldwide entries to the 2007 Adagio Composition Contest.

About the Composer

Composer David P. Sartor (rhymes with “Carter”) received his education at the Blair School of Music, the University of Cincinnati College-Conservatory, and the University of Tennessee, where he studied with John Anthony Lennon and David Van Vactor. The recipient of commissions from a variety of ensembles, his works are performed nationally and internationally and have been featured at the Tanglewood and Aspen Music Festivals, the International Double Bass Festival, the Percussive Arts Society International Convention, the International Music Festival in San Jose Costa Rica, The World’s Largest Organ Concert, and at Carnegie Hall, with broadcast performances on National Public Radio and local affiliates.

Sartor has received awards from the American Bandmasters Association, New Music for Young Ensembles, Meet The Composer, and ASCAP, among others. As Guest Composer, Conductor and Lecturer he has completed residencies at venues including the Washington (D.C.) National Cathedral, Illinois State University, and California State University Bakersfield, sponsored by New York City’s Meet The Composer Foundation. His works are recorded on the ERM Media label and are published by E.C. Schirmer, Shawnee Press, TRN Music, and Metamorphic Music.

“Gridley Paige Road” was selected as the grand prize winner from over 160 worldwide entries to the 2007 Adagio Composition Contest.

About the piece

“This piece was inspired in part by memories of my childhood years living on Gridley Paige Road, a rural road set amid farmland, woods and fields in central New York state. Originally composed for string quartet, this movement was premiered by the Avalon Quartet in Merkin Concert Hall, New York, in May of 2003. In 2005, three more movements were added and Gridley Paige Road became the first movement of my String Quartet No. 1. The full quartet was premiered in Merkin Concert Hall by members of the International Contemporary Ensemble (ICE) in April of 2005. This movement was then orchestrated for string orchestra in March 2007.”

About the composer

The music of composer-pianist Matthew Quayle (BMI) spans a wide range of styles and genres, from concert orchestral works to musical theater comedy. His music has been performed by eighth blackbird, Alarm Will Sound, the Southeastern Trio, the Avalon String Quartet and the Arditti String Quartet. Quayle has also received commissions from the Almeida Theatre in London, the New London Children’s Choir, and flautist Claire Chase with the International Contemporary Ensemble.

In 2006 his Sun Dance, commissioned by saxophonist Gail Levinsky, was performed at the North American Saxophone Alliance (NASA) Conventions at Penn State University and UNC Greensboro. He composed the introduction to the ‘Round Midnight Variations, a collection of variations by prominent contemporary composers on the Thelonius Monk theme; this work was premiered by pianist Emanuele Arciuli at New York’s Miller Theater in 2002. Quayle frequently performs as a piano soloist and chamber musician. Recent collaborations have included recitals with clarinetist Deborah Andrus and cellist Jameson Platte. In 1998 he performed his Concerto for Piano and Orchestra with the Oberlin Chamber Orchestra, as winner of the Oberlin Conservatory Concerto Competition.

Quayle is a doctoral candidate at New York University (GSAS) and holds degrees from Oberlin Conservatory and the University of Cincinnati. He has been on the faculty at New England Music Camp in Sidney, Maine since 2002. From 2005 to 2006 he was a keyboardist and songwriter for the pop-rock sextet If I Told Napoleon. A native of Waterville, New York, he has recently moved from New York City to North Carolina, where he is Lecturer at the University of North Carolina at Greensboro.

Find out more about our search for the next great sad string orchestra piece.

Performed by The Fauxharmonic Orchestra,
Conducted by Paul Henry Smith

“Man, this is absolutely dynamite!

You have done a fantastic job of capturing all of the nuance of the piece – the variety of the percussion, the string divisi, the mutes – all of it is here. I can’t imagine how many hours of work went into this. I just want to congratulate you on your frighteningly accurate representation of the piece.”

– David Heuser
Associate Professor of Composition at University of Texas San Antonio,
Winner of the 2006 Fauxharmonic Orchestra Composition Contest.

About the winning composition

Listen to the Fauxharmonic Orchestra performance: A Screaming Comes Across the Sky

“A Screaming Comes Across the Sky” was commissioned by the Immanuel and Helen Olshan Texas Music Festival for its “New Texas Overtures” season in 2005. The title of the piece is the first sentence from Thomas Pynchon’s novel Gravity’s Rainbow. The piece was premiered in 2005. One reviewer of that performance wrote:

David Heuser’s ‘A Screaming Comes Across the Sky’ was a shot-in-the-arm beginning. … Heuser’s music certainly matched the title through its intense, driving rhythms and thunderclap-loud outbursts. This was all-American music at its most dynamic and visceral. Yet the piece by the University of Texas-San Antonio composer was well-crafted and smartly orchestrated … The music continually engaged mind and body as it careened along.

— Houston Chronicle (July 2005)

About the composer

David Heuser is associate professor of theory, composition, and electronic music at the University of Texas at San Antonio. Heuser’s music has been performed by various groups and individuals and on festivals and conferences throughout the US and abroad. He has won a variety of awards, grants and commissions including an ASCAP Young Composer Award, many ASCAP Standard Grants, a First Music commission from the New York Youth Symphony, an Immanuel and Helen Olshan Texas Music Festival “New Texas Overture” Commission, and the Delius Composition Contest Chamber Music Award.

More about David Heuser

Honorable Mentions

The following outstanding compositions were selected by the judges for hornorable mention:

About the contest

The Fauxharmonic Orchestra’s international composition contest was established in 2005 to help foster new orchestral composition, and to showcase digital orchestral performance. The contest winner receives a $1,200 prize and a recorded performance by the Fauxharmonic Orchestra.

This year’s contest involved eighty-six entries by composers from the US, China, Taiwan, Japan, South Korea, Australia, and Canada. Judges for the 2006 contest were:

Emily Doolittle, composer (bio)

Markand Thakar, Music Director of the Baltimore Chamber Orchestra and the Duluth Superior Symphony Orchestra; Co-director of the graduate program in orchestral conducting at the Peabody Conservatory of Music (bio)

Herb Tucmandl, CEO and Founder, Vienna Symphonic Library, the world’s pre-eminent maker of digital orchestral instruments and performance systems (bio)

Paul Henry Smith, Music Director of the Fauxharmonic Orchestra, a digital orchestra ensemble devoted to producing recordings of orchestral music, new and old, of the highest artistic caliber.